Mexican Revolution, The
Fenik
Gordon Bean
Whether in his native country or during his many engagements at Caesar's Magical Empire in Las Vegas or at the Magic Castle in Los Angeles, Fenik has long been perplexing some of magic's top names with his Mexican Revolution routine.
The effect is straightforward and eye-poppingly visual: four jacks turn face down one at a time, then turn back face up, and finally have their backs change from blue to red. Its highly ingenious method reduces sleights to an absolute minimum, but it's so much fun to watch you'll want to stay in front of the mirror doing it again and again!
With the U.S. Playing Card Co. having done a brilliant job of producing the necessary cards, The Mexican Revolution was first released by Gordon Bean and Larry Horowitz's company MagicLab at the Magic Castle swap meet in the spring of 2002, and instantly proved to be a big hit. Fenik then came up with a brilliant streamlining of his original handing that, in turn, led Gordon to come up with Jaywalk, which turned the effect of the original inside out. This time, after turning face up then face down, the cards change from jokers to jacks!
Considering that Jaywalk was the quintessential dealer's ad boasting three distinct phases of visual magic, no sleights required, only four cards used, fronts and backs of all cards in view, no glue, no wax, no double cards-the decision was made to put The Mexican Revolution on hold after its one day of release and wait for the necessary new cards to be printed.
So now, for the same price, you get both The Mexican Revolution and Jaywalk plus a whole new world of experimentation. After this revolution, twisting effects will never be the same!
Reviews
(Top ▲)
The plot here is of the twist variety; I already do Vic Trabucco's version, with a punchline showing real bills on the backs of cards. Mexican Revolution, appears more magical, because the cards turn over without counting them. Bear in mind, that I've had this effect for a few months, and only kept it aside while I taught myself effects from my list of 'must knows'. The handling is a bit tricky, which has nothing to do with Fenik. The challenge that I have, is handling the cards in a way that I usually don't: separating them top to bottom, keeping them aligned-and aligning the cards so that the turn overs are clear. Bean does include card placement to a pinpoint degree, as the effects transitions depend upon this. What I love about this effect, is the visual ease-wave the hand over the packet, and cards just turnover! The final turnover happens with a shake/wave and no cover. Then, they all turn to redbacks. Eye-poppingly visual INDEED.
I appreciate Bean's version of the trick, Jaywalk, for different reasons: it only uses four cards, and while there is no color change, the FACES of three cards do change. Jaywalk is clean, economical, and the patter makes perfect sense. Bean ends his routine with counting cards into the spectators hand-having set the person up as a winner of the game, Bean justifies then getting the guilty cards OUT of the spectator's hand, by offering a congratulatory handshake. Very clever, and sensible move. Jaywalk, also reminds me of Bikers: it only uses four cards, so cleverly handled, that there's no need for the fifth card, or wax/tape...which is an option with Mexican Revolution. Jaywalk likewise requires that the performer keep the cards vertically aligned-and they must remain so, as one finger determines the 'turnovers'.
So, precise placement of the cards, maintaining their alignment while still, and during push/transitions, are the aspect challenges of these routines. Considering just how magical and impossibly pretty these effect LOOK, I think it's worth spending the time (and also the money) to master them.