Infinity Switch
Sean Fields
(Based on 1 review)
Pushing the boundaries of conventional magic, Sean Fields presents the 'Infinity Switch.' This isn't a bill switch, it is a bill TRANSFORMATION!
Imagine borrowing a bill, and folding it once lengthwise Now by simply sliding the bill between you first finger and thumb, the bill visibly transforms into a totally different bill! The spectators actually SEE the bill change as it passes between your fingers!
Imagine no longer, Sean Fields has brought the $100 bill switch into the 21st century with 'The Infinity Switch". This is unlike anything else you have ever seen!
This is the bill switch you have waited for! "The Infinity Switch"; the most visual bill change in existence!
Reviews
(Top ▲)
I suspect John Lovick felt a tremor in the force the day Sean Fields devised this uniquely visual bill change. Too late for inclusion in John’s monumental (forever forthcoming) book, Switch, it would no doubt have been a highlight, despite the encyclopedic scope of the work.
Imagine folding a borrowed bill in half lengthwise, holding it vertically by the bottom narrow end, then running the fingers of your other hand up the front of the bill, causing it to morph inch by inch as it passes behind your digits. That’s how striking Sean’s method is, and it requires little more than the preparation and/or technique demanded of any standard bill switch.
There is a bit of fiddling just prior to the change, but this could easily be covered with a line or two of patter. On the DVD, Sean’s performance is set to music, so one tends to focus intensely on the bill – in the real world, you could simply ask a question of a spectator, or do a joke about money, or just riff a line that is relevant in the moment, any one of which would produce a few anxiety-free beats to carry out your get-ready.
I don’t think this will replace Mike Koslowski’s prototypical technique as the pre-eminent bill change of our time, but it’s a genuinely practical alternative that looks like real magic.
David Acer
Imagine folding a borrowed bill in half lengthwise, holding it vertically by the bottom narrow end, then running the fingers of your other hand up the front of the bill, causing it to morph inch by inch as it passes behind your digits. That’s how striking Sean’s method is, and it requires little more than the preparation and/or technique demanded of any standard bill switch.
There is a bit of fiddling just prior to the change, but this could easily be covered with a line or two of patter. On the DVD, Sean’s performance is set to music, so one tends to focus intensely on the bill – in the real world, you could simply ask a question of a spectator, or do a joke about money, or just riff a line that is relevant in the moment, any one of which would produce a few anxiety-free beats to carry out your get-ready.
I don’t think this will replace Mike Koslowski’s prototypical technique as the pre-eminent bill change of our time, but it’s a genuinely practical alternative that looks like real magic.
David Acer